The Sentauria SRT Platform is the ideal technology to render all music products in spatialized form, including but not limited to:

  • Live music spatialized in real time

  • Studio music recordings

  • Music post-production

  • Music archives and catalogs

  • Music catalogs from film

While any production is fully optimized when the original recording is in Sentauria SRT, our technology can be used to vastly change the spatial dynamics when recorded in any format and at any stage in the production process. When used in post-production, the Sentauria process does not require modifying the original multi-track masters. We instead work from the final two-track mix.

Sentauria Live Concert Applications: SiLAB

Sentauria can enhance live concerts through the merging of two of its technology offerings. This has the ability to enhance any live music event in a stadium or arena environment.

1. SiLAB: A single-unit localized system, on location without a broadcast truck. Our system goes in post-mixing board, pre-amplifier. Behaves like an audio mastering lab. Tunes the band’s system with the local arena architecture (acoustic environment). Spatializes the live music in real time. Plays through the band’s own Sound Reinforcement System (SRS). SiLAB is the bridge between SRS and the architecture of the arena/stadium to bring spatialized music and the best sound experience to the audience. SiLAB refers to the Sentauria Immersive Mastering Lab.

2. SiLAB+ (plus broadcast truck): This consists of two Units. One unit delivers the spatialized sound to the local SRS deployed by the band. The other unit is in the truck to broadcast, stream, and/or record the live event.

3. Immersive Cloud Live FS: Add a selected number of free standing (FS) speakers in mid- to upper-deck in support of transient high frequencies that are the first to be lost in large sound reinforced venues. Incorporated with the stage plot.

4. Immersive Cloud Live HS: Partial use of the stadium house speakers (HS) located on mid- to upper-deck of a stadium. In support of transient high frequencies that are the first to be lost in large sound reinforced venues. Incorporated with the stage plot.

Sentauria Studio-Based Applications

  • Custom studio-based spatial audio recording technology for musical products

  • Custom studio-based spatial audio recordings for film

  • Custom spatialized processing for live music events and live music event spatial audio recording

  • Custom post-production spatial audio mastering of pre-recorded audio

  • Custom post-production spatial audio mastering for film

  • Spatializing publisher’s music catalogs

  • Operating system-based spatial audio applications

“What Dolby is to theaters, Sentauria is to stadiums. What you have created will open up amazing new avenues for artists to perform and promote themselves in a way never before realized.”

Michael Lloyd, Producer/Arranger

Winner Academy Award, Golden Globe Award, Grammy Award

100 gold and platinum records

“I’d like to thank you for the encoding technology you provided. The mix you provided sounds like being surrounded by thousands of fans. As you know, Paul McCartney is meticulous about his work.”

Paul McCartney Producer Noel Kimble, After post-production encoding of the Paul McCartney World Tour

“This is not an evolution of sound…THIS IS THE NEXT REVOLUTION OF SOUND!”

Pete Walsh, Dallas Cowboys Chief Information Officer, Reaction to Live Keith Urban Concert at AT&T Stadium, Powered by Sentauria’s Segmented Radial Topology